Orpheus in Hades №1.

For Vitaly, it is important that the author is in complete unity with his works, in fact, the works of the new project are certificates for subscribing the artist's way of thinking for the period. And these thoughts lie in the field of art theory more than in the field of manifesto. So the abstract form for Pushnitsky is an inseparable case of reality, bring the object closer or remove it and here you have a fallout into an abstract language, and with literary metaphors, the more concrete the image, the more reality escapes. The battle of Apollonian and Dionysian seems to Pushnitsky to be over (at least for a while), Apollonian has lost, but the author is not going to let it go. On the contrary, the attempt to bring harmony, light, color, classical frontal compositions return with a new breath, whether it is the author's sentimental insistence on the past, or it is a spell to transform to his new state.