The hat, briefcase, glove, “Truth”

Like a counterpoint to a powerful preamble, the second part of the exhibition is almost intimate in its shape and content, modeled after a fashion boutique where you can find shirts, ties and underwear. The project uses a marquetry inlay technique. The objects are cut from thin sheets of different wood veneers, torn, and then pieced together. Torn edges, cracks, and wood splinters are used for creating the objects. Subtle patterns are formed out of different stocks of wood veneer. Miniatures with erotic scenes from classical paintings, combined with torn edges and splinters, function as totems that should protect a person from chaos and atthe same time pave the way for his destructive ecstasy," the artist explains.